24 kisses

Adith Arun gets an author backed role and he does well in his character which is quite complex. His performance during the end of the film is good. Hebah Patel is neat in her role and does what is required of her in all the so called romantic scenes.

The film is filled with minus points and it is very hard to put everything here. Firstly, a simple line in the story is added with the concept of 24 Kisses which the heroine wants in the film.

Horrendous

Arun Adith as an art filmmaker with confused ideas and who has personal issues has played his role well.

Hebbah Patel’s characterization lacks depth. However, both of them have indulged in many steamy kisses. No recent film has such passionate lip-to-lip kisses.

The film is shot in limited budget but the cinematography is neat. Art work is also decent. The music is too arty.

'24 Kisses' is a pointless drama which can be skipped

More than anyone, Rao Ramesh's role is more important. The veteran actor has proved his talent by delivering a wonderful performance.

Apart from the bold content, the director has penned an average story for the film. The uneven pace sometimes irks the audience and disturbs the flow. 

Adith Arun looks the part, but he lacks the presence and charisma to pull of the role which depends a lot on merely talking.

Joi Baruva has done a neat job with the music as it is an integral part of the narrative. 

Two plots are running in 24 Kisses simultaneously. A better alternative, therefore, would be to make one the main track and the other a subplot. 
 

Adith Arun who resembles actor Ram a lot is a decent actor. He suits the character of a struggling filmmaker and a romantic.

Ayodhya Kumar is clearly caught in a confusion of whether to make a full blown masala movie or a meaningful one. 

24 Kisses is an attempt to cash in on the current trend where movies based on adult themes are turning out to be money spinners. 

Director Ayodhya Kumar Krishnamsetty was widely appreciated for his debut film Minugurulu (2012), which told the story of a 13-year-old orphan boy who aspires to be a filmmaker.

Krishnamsetty directly cuts to the chase, instead of wasting time in warming up the audience, by devising a few cute scenes.

The entire movie plays out like a dream without a proper beginning or a definite ending.